Hitchcock’s Work at an Auteur in his Movie, Vertigo :: Movie Film Essays

Hitchcocks Work at an Auteur in his Movie, Vertigothough complex and brilliantly written for its time, the plot of Alf carmine Hitchcocks film, Vertigo, is only half(prenominal) of the genius behind it. Alfred Hitchcocks unique presence as an auteur is genuinely what sets his films apart. There is symmetry to his shots that give the film an artistic feel, as if each(prenominal) fig were a photograph. Many times, within this symmetry, Hitchcock places the characters in the center of the frame or if not centered, then equilibriumd by whatever else is adding constriction to the shot. For example, as Madeline sits and looks at the painting in the museum, there is a balance within the frame. To counter-act her position to the right of the painting, Hitchcock puts a chair and another painting on the left side, which is visually pleasing to the eye of the audience. The use of red and green not only adds a visual effect as well, but later serves as a clue that Madeline is not genuine ly dead, when the women who looks like her is wearing a green dress. Hitchcock has a way of throwing clues in the face of the spectator, yet still allows some room for the spectator to welcome their own less obvious details. In the same museum scene, Hitchcock shows the viewer on the dot what he wants them to see. In a sense, Hitchcock can be very artful with the camera. The audience sees the picture containing the women with a curl in her hair attribute flowers, and then the direct connection is made by the camera, by present the curl in Madelines hair, and the flowers sitting next to her. The spectator is take to believe that they have solved the mystery and she is truly possessed by the women in the picture. However, Hitchcock does this on purpose to lead the audience away from the righteousness that she is only acting. It is for these reasons that Hitchcocks work at an auteur adds a level of insight and intrigue. Hitchcock has characteristics as an auteur that is apparen t in most of his films, as well as this one.