Dual Narration in Joseph Conrads Heart of Darkness Essay examples --

Dual Narration in Heart of Darkness Joseph Conrads novelette Heart of Darkness not only dwells on interesting and purpose provoking issues that relate to society today, it is also told in an interesting direction in the form of a business relationship within a story. This serves not only to show increased levels of mental development from in any parties involved, that is Marlow, the frame narrator and the proofreader - but distances Conrad from the text in much(prenominal) a way that he can promote revolutionary issues without necessarilty beingness attached to them. The character of Marlow does just this - he is far from neutral and is utilize by Conrad to position the reader by offering a double-dose of mental development from Marlow, and the framed narrator. Perhaps the best way to comprehend Marlows inter-group communication is through an understanding of his transit through the four thematic stages of his travels. These be the tincture of the river which surroun ds him (the Thames), the darkness within Kurtz, and with the city of Brussels, the impeniterable darkness within the Congo, and the darkness present within each individual. Through these aspects of the novella can we as readers comprehend the true value of Marlows character. Initially, Marlow and his audience find themselves within the attractive setting of the river thames in London. The frame narrators description of such a circumstance (paralleled to his final description) offer some of the only comment he gives passim the novel. This is especially important for we as readersare able to comprehend his psychological journey (if not the other men in the boat) forwards, an enlightened state homogeneous of that to Marlow. A buddah preaching in European clothes. Most noteable barely is the phenomin... ...rlow, and the frame narrators position as commentator, their journies - both physical and psychological, position the reader to such an extent that possibilities become infinit ely clearer. The darkness evident initially, including the overpowered Kurtz and the somberness encompassing the stark nature of man underneath ornaments and rags are all portrayed in such scenes by the narrators. Futhermore Conrad envisages the reader being successfully positioned - recognising their own true heart of darkness - and that of the materialistic, possession driven acculturation they live in. Bibliography Conrad, J. (1995). Heart of Darkness. London Penguin Group. Kingsley, Widmer. Dictionary of Literary Biography British Novelists 1890-1929. Tulsa 1984 Hayes, Dorsha. Heart of Darkness An Aspect of the Shadow, Spring (1956)