Hip Hop :: Rap Music Hip-hop essays research papers

Hip-hop as a melodic form began among the y go forthh of South Bronx, New York in the mid- 1970s. Individuals such Kool Herc and Grandmaster fool were several(prenominal) of the early pioneers of this art form.(Fernando 43) Through their performances at clubs and promotion of the music, belt consistently gained in popularity throughout the rest of the 1970s. The first commercial victory for blame was a song Rappers Delight by the Sugar agglomerate Gang in 1979.(Potter 45) This helped bring hip-hop into the national spotlight. The 1980s proverb the continued success of hip-hop with many artists such as abide DMC (who had the first rap album to go gold in 1984), L.L. dispassionate J, Fat Boys, and west coast rappers Ice-T and N.W.A becoming popular. Today, in the late 1990s rap music continues to be a prominent and important fount of African- American culture.Hip-hop was a way for younkers in black privileged city neighborhoods to express what they were feeling, seeing, a nd living and it became a form of entertainment. Hanging out with friends and rapping or listening to others rap kept black youths out of nark in the dangerous neighborhoods in which they lived. The dominant culture did not pee-pee a type of music that filled the needs of these youth, so they created their own. So, hip-hop originally emerged as a way for black inner city youth to express their everyday life and struggles (VOT, 125). Hip-hop is now seen as a subculture that, includes a large number of middle to upper white physical body youths, which have grown to support and appreciate it. Many youth in America today are considered part of the hip-hop subculture because they share a common love for a type of music that combines catchy overcome with rhythmic music and thoughtful lyrics to create songs with a distinct governmental stance. Hip-hop lyrics are about the problems rappers have seen, such as poverty, crime, violence, racism, woeful living conditions, drugs, alcoholism , corruption, and prostitution. These are serious problems that many within the hip-hop subculture accept are being ignored by mainstream America. Those within the subculture recognize and accredit that these problems exist. Those within this subculture consider the other group to be those people who do not understand hip-hop and the message its artists are trying to send. The suppresser, or opposition, is the dominant culture, because it ignores these problems and perhaps even acts as a catalyst for some of them.